Friday, December 07, 2007

Broadcast of Poetry Reading

I read at a poetry reading last night which got broadcast on the internet. Starting this morning the video is available for viewing at this link: Columus Urban Connection Click "Live Broadcasting/ Recorded Shows" and then use the "Next >" button under "Past Shows" to find "Open Mic Night at the Columbus Public Library!".

I read two poems near the beginning of the event. Actually I'm the third reader.

The featured poet, Doraine Bennett, was wonderful. I do recommend that you listen to her read. After her, there is a bit of comic relief. One person sang a very nice song a cappella too.

Thought you might be interested in viewing it.

Warning: Turn down your volume a bit when I'm reading--I like to project.

Sunday, December 02, 2007

Now & Then by Robert B. Parker


The 35th Spenser novel, Now & Then, includes all the usual banter. Spenser irritates strangers by cracking wise, while at the same time entertaining this long time reader. I’ll admit it; I am still amused by Spenser’s sarcastic wit, even though the jokes have been the same ones for decades. However, this time round, the plot was about the thinnest it’s ever been. So was Spenser’s motive for working another no-pay case.

Over and over Susan and Hawk theorize that Spenser is still working through the trauma of Susan leaving him back in A Catskill Eagle in 1985. 1985!!! They seem to think that Spenser identifies with the client/victim whose wife was cheating on him. Oddly, no one ever mentions Spenser’s affair with Candy Sloan in A Savage Place, 1981. Somehow Spenser’s one night stand didn’t count! My biggest beef though is that the motive for solving the case is hardly that important in Spenser anymore. He solves things! It’s his nature. That’s it. Why did Parker see the need to dredge up Spenser and Susan’s past over and over again? It wasn’t believable after all this time, and the repeated mention of it seemed so forced.

But what do you expect from Robert B. Parker these days? It has been literarily decades since Spenser novels were written at near literary level. To be an ongoing Spenser fan, one must accept Spenser as a cartoon or caricature of his earlier self. To my mind, A Catskill Eagle was the cut-off point for the real, authentic Spenser. Since then Parker has been writing light-weight novels that are heavy on wit, with rare, extremely rare moments of depth.

Having recently re-read Walking Shadow, I can tell you that Now & Then is even fluffier than that one. Walking Shadow included one passage that I thought was so eloquent I got chills reading it aloud. There’s nothing that good here.

Yet, I can honestly say I enjoyed Now & Then. Spenser’s dialogue still makes me laugh. I enjoyed the heck out of reading this one aloud to Christi, doing the deep bass voice for Hawk, the Speedy Gonzales voice of Chollo, and my best Joe Pesci for Vinnie. Yes, Spenser yet again has surrounded himself with the "Thug Brigade".

That relates to the one last thing I want to mention. The moral complexity of the early Spenser novels is long, long gone. Spenser has become so accustomed to using Hawk and the other thugs for muscle that the dividing line between criminal violence and heroism barely exists anymore. Sure the overall quantity of violence has dropped as the series has gone on, but there are six killings under Spenser’s watch in this one. Four of the killings occur during a set-up that Spenser has orchestrated. Long gone are the days of remorse over the taking of life, even the life of a criminal or a killer. Spenser has developed a thick skin about such killing. I’m sad to see his remorse go.

Saturday, December 01, 2007

The Viking Funeral by Stephen J. Cannell


I don’t wish to spill much ink on this novel, The Viking Funeral by Stephen J. Cannell. Suffice it to say, my comment to Christi, as I finished reading this one aloud to her, was, “Thank God that trudge through Hell is over!”

It’s not a badly written book. The problem is the agonizing situation of the main character, Shane Scully of the LAPD. He gets himself entrenched with a band of cops turned criminals. One of the bad cops is Shane’s friend since childhood, Jody. And, Jody, well, he is by no means faking his bad-ass demeanor. Whew, I’ll spare you the details of the slaughter in the final 50 pages of the book.

Not to mention the excessive use of obscenities.

Not to mention how Shane scrapes through with only a few minor injuries after about 100 attempts on his life. (Gosh, do I hate convenient near misses! What is this? An episode of the A-Team?!)

For much of the novel, Shane is depressed. He believes that he has killed the love of his life. He is witnessing first hand the depths of corruption of his former best friend. He must act the part of a criminal to maintain his cover. The whole crew is wasted on drugs, and most of them would sooner kill Shane then let him in on their deal, as Jody has agreed. Three-quarters of the way through the novel, Shane decides to commit suicide. I could sympathize. Reading about his plight was getting me very depressed as well.

You might ask why we persisted in reading something so dark and depressing. Well, my take was that the first book in the Scully series, The Tin Collectors, was nearly as good as any Michael Connelly novel. I kept hoping that this second in the series would make a turn and start to charm me again as did the earlier one. It did not happen.

Really I can only recommend this book to someone who felt that She’s Come Undone was the feel-good novel of the 1990s. (For me, personally, that was the bleakest novel ever written.) You have to be a glutton for punishment to enjoy The Viking Funeral.